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Robot Ghosts and Wired Dreams: Japanese Science Fiction from Origins to Anime
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Manufacturer: Univ Of Minnesota Press
Average Customer Rating: Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5

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Binding: Paperback
Dewey Decimal Number: 895.630876209
EAN: 9780816649747
ISBN: 081664974X
Label: Univ Of Minnesota Press
Manufacturer: Univ Of Minnesota Press
Number Of Items: 1
Number Of Pages: 288
Publication Date: 2007-11-15
Publisher: Univ Of Minnesota Press
Studio: Univ Of Minnesota Press

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Editorial Reviews:

Since the end of the Second World War—and particularly over the last decade—Japanese science fiction has strongly influenced global popular culture. Unlike American and British science fiction, its most popular examples have been visual—from Gojira (Godzilla) and Astro Boy in the 1950s and 1960s to the anime masterpieces Akira and Ghost in the Shell of the 1980s and 1990s—while little attention has been paid to a vibrant tradition of prose science fiction in Japan.

 

Robot Ghosts and Wired Dreams remedies this neglect with a rich exploration of the genre that connects prose science fiction to contemporary anime. Bringing together Western scholars and leading Japanese critics, this groundbreaking work traces the beginnings, evolution, and future direction of science fiction in Japan, its major schools and authors, cultural origins and relationship to its Western counterparts, the role of the genre in the formation of Japan’s national and political identity, and its unique fan culture.

 

Covering a remarkable range of texts—from the 1930s fantastic detective fiction of Yumeno Kyûsaku to the cross-culturally produced and marketed film and video game franchise Final Fantasy—this book firmly establishes Japanese science fiction as a vital and exciting genre.

 

Contributors: Hiroki Azuma; Hiroko Chiba, DePauw U; Naoki Chiba; William O. Gardner, Swarthmore College; Mari Kotani; Livia Monnet, U of Montreal; Miri Nakamura, Stanford U; Susan Napier, Tufts U; Sharalyn Orbaugh, U of British Columbia; Tamaki Saitô; Thomas Schnellbächer, Berlin Free U.

 

Christopher Bolton is assistant professor of Japanese at Williams College.

 

Istvan Csicsery-Ronay Jr. is professor of English at DePauw University.

 

Takayuki Tatsumi is professor of English at Keio University.




Spotlight customer reviews:

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Comprehensive and Fascinating
Comment: I bought this book because I was aiming to know more about Japanese cyberpunk, and I have not read through all the essays but the ones I have read are fantastic--informative but not too dense to be readable; I was thrilled to find a measured, academic article about something usually so removed from intelligent analysis as otaku/yaoi subculture. Aside from that, the bibliographies are tremendously informative in themselves, they pointed me to many other good sources (although not all of them are in English). I like this book too for treating with such depth and breadth Japanese science fiction in general, which tends to be reduced to a few popular anime and manga. Overall this is a great (and very welcome) essay collection.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Full Table of Contents
Comment: The full table of contents for this book is as follows:

INTRODUCTION
by Christopher Bolton, Istvan Csicsery-Ronay, Jr., and Takayuki Tatsumi

PART I--PROSE SCIENCE FICTION

Chapter 1. Horror and Machines in Prewar Japan: The Mechanical Uncanny in Yumeno Kyûsaku's Dogura magura
by Miri Nakamura

Chapter 2. Has the Empire Sunk Yet?--The Pacific in Japanese Science Fiction
by Thomas Schnellbächer

Chapter 3. Alien Spaces and Alien Bodies in Japanese Women's Science Fiction
by Kotani Mari (Translated by Miri Nakamura)

Chapter 4. SF as Hamlet: Science Fiction and Philosophy
by Azuma Hiroki (Translated by Miri Nakamura)

Chapter 5. Tsutsui Yasutaka and the Multimedia Performance of Authorship
by William O. Gardner

PART II--SCIENCE FICTION ANIMATION

Chapter 6. When the Machines Stop: Fantasy, Reality and Terminal Identity in Neon Genesis Evangelion and Serial Experiments Lain
by Susan J. Napier

Chapter 7. The Mecha's Blind Spot: Patlabor 2 and the Phenomenology of Anime
by Christopher Bolton

Chapter 8. Words of Alienation, Words of Flight: Loanwords in Science Fiction Anime
by Naoki Chiba and Hiroko Chiba

Chapter 9. Sex and the Single Cyborg: Japanese Popular Culture Experiments in Subjectivity
by Sharalyn Orbaugh

Chapter 10. Invasion of the Women Snatchers: The Problem of A-Life and the Uncanny in Final Fantasy: The Spirits Within
by Livia Monnet

Chapter 11. Otaku Sexuality
by Saitô Tamaki (with an introduction by Kotani Mari)

Afterword. A Very Soft Time Machine: From Translation to Transfiguration
by Takayuki Tatsumi


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