CompleteMartialArts.com - Robert Brownjohn: Sex and Typography
|
List Price: $45.00
Our Price: $45.00
Availability: Usually ships in 24 hours
Manufacturer: Princeton Architectural Press
|
Average Customer Rating: 
|
|
Binding: Hardcover
Dewey Decimal Number: 741.6092
EAN: 9781568985503
ISBN: 1568985509
Label: Princeton Architectural Press
Manufacturer: Princeton Architectural Press
Number Of Items: 1
Number Of Pages: 240
Publication Date: 2005-09-22
Publisher: Princeton Architectural Press
Studio: Princeton Architectural Press
|
|
|
|
|
|
Editorial Reviews:
|
The design profession doesn't produce many larger-than-life figures. Robert Brownjohn-BJ, to just about everyone who knew him, and everyone did-was one. His gifts were immense, as were his appetites. Enfant terrible and visionary, he was both. Mick and the Stones wanted to hang with him. Of course it couldn't last. Robert Brownjohn was simply too big for this world. He died in 1970 at the age of 45, a victim of his own excesses. Today, he is best remembered for his sexy James Bond credit sequences. But Brownjohn's legacy is far more significant, and his story has all the drama and pathos of a Hollywood blockbuster. Now, for the first time, this extraordinary life and career is remembered in print, with all its richness and complexity. Robert Brownjohn: Sex and Typography tracks the story of this legend from his early years as the prized student of Laszlo Moholy-Nagy to his days as a visionary star in the New York design world of the sixties and his later years as an icon in the film and advertising world of swinging London. Robert Brownjohn illustrates the dynamic work Brownjohn produced on his own and as a cofounder of the firms Brownjohn, Chermayeff, and Geismar in New York, and Cammell, Hudson, and Brownjohn in London, including campaigns for such giants as Pirelli, IBM, and Midland Bank. Robert Brownjohn is both an inspirational monograph of creative genius and a window into the life of a Falstaffian figure who just happened to be one of the formative designers of the twentieth century.
|
|
|
Spotlight customer reviews:
|
Customer Rating:
Summary: A Memorial, and a Rare Look at Designs
Comment: Some people, and they can be in any profession, shine so brightly that they obscure almost everyone around. Perhaps after shining so brightly it comes as little surprise that they often leave us early. Robert Brownjohn, Bj created designs for products, for posters, and most famously the titles for the James Bond movie 'Goldfinger' that were projected onto the body of a female model.
This book is done in an interesting manner, I'd say a unique manner because I've never seen it done this way before, but there've been a lot of books I've not seen before.
Originated by Bj's daughter Eliza, this book consists of quotations, paragraphs really, from thirty five people who knew him, worked with him or was otherwise connected with his life. These paragraphs are arranged in a more or less chronological order and intermix stories of his personal life with his education and work.
Bj designs, as shown in the book, are still as fresh and original as when they were created. He died of a heart attack at the age of 45.
Customer Rating:
Summary: An inspiration for then and now
Comment: A freind of mine bought me this book for a gift and I did not put it down from the time I received it to the time I finished. Robert Brownjohn was a shortlived genius in the world of graphics and film. For any young designer it is an inspiration, for any experienced designer it is a reminder of how things used to work before clients became politically paranoid and obsessed with being different from the competition. It is a reminder to us all that design is what it is and can be anything you want it to be as long as the will is there. It leaves you with a sense of confidence to make you want to do better work and treat not only projects but also situations in life with kid gloves and just enjoy it. It is amazing what can happen if one does.
It begins with a detailed history of his life from interviews taken from the likes of Alan Fletcher, Bob Gill and Ken Garland and many more influential names in the 60 and 70s. It then covers a few of his most famous and not so famous projects. Each as exciting as the other and approached in the same spontanious mannor that is Robert Brownjohn.
|
|
|
|
|
|
|